Chirp Winter Mix
Grab the new CHIRP mix. Video cover art by Aaron Byrd.
Grab the new CHIRP mix. Video cover art by Aaron Byrd.
Here's some video fun for the holiday season. Have your holiday checklist handy?
We made a music video for Thriller 2's "Cops on Bikes." See it here
We just got a new site up for the Athens band Commander Chameleon. The band is made up of a handful of good friends from our formative years. They have a new album out, free mp3's you can grab from the site. Be sure to turn on the sound when you visit the new Commander Chameleon website.
This commercial for Head On is, well, absolutely mesmerizing. Head On is an ointment you evidently apply directly to your forehead. For what, I can't exactly say. Do listen with sound. I guarantee you won't forget how to apply it.
UPDATE:
Read more info on Slate
For your viewing pleasure, a movie clip of riding the train in Tokyo.
Hey remember last week at that pub. How I told you we had an art thing coming up. It was one of your classic blank stares you gave. A most considering pause, caped by one serious, "I really need a haircut." Well it's Thursday May 5th at the RIALTO downtown Atlanta. We'd love to see you there.
As fate would have it, we're also going to be at Sage in Decatur that afternoon unveiling the Decatur Arts Festival design.
Our most recent field trip was across town to the West End's Northyards.
Wade from EAI gave us a short tour of an empty space adjacent to their
own office space. The concrete surfaces made for an incredible natural sustain. Have a look and listen.
The Cycle Theory is a new short film we've been working on. Go have a looky, wouldya.
[Dre from The Cycle Theory]
We at Lightroom have been working on a new short film called "The Cycle Theory." It's a delightful tale of a man that has perfected a method for guaranteeing constant female companionship. Check out The Cycle Theory trailer.
I didn't get it. I left confused, disoriented and ultimately thirsty for some sorta of coherent explanation. Primer, which won a grand jury award at this year's Sundance film festival, has the raw graininess and low budget appeal that independent filmgoers thrive on. This is a garage-tinkering, time-traveling, jargon-spouting film about two inventors who tackle space, time and ethical paradoxes. I liked it, but I certainly didn't get it. The narrative went from being understandable to hard-to-follow to just plain indecipherable. Tech enthusiasts are going to love the detail of science in the film and the spirit of small scale garage engineering that it captures. Most of us will just walk away scratching our heads, but you'll like it nonetheless. It's great sci-fi.
There's a interesting explanation (theory, really) on what happens in Primer here. If you are thinking of seeing this flick, I would suggest reading this primer. The "spoilers" won't make a difference, and maybe it will help you hang in a little longer while on this mind-bending ride.
We've seen a few movies lately. Below is a list.
Open Water
In a sea of computer-generated effects, there's something great to be said about realness. Real sharks are sooo refreshing. But mostly, this movie makes you feel emotionally taken advantage of. There is a full frontal though that is a very redeeming quality to some.
Taking Lives
Derivative. It's like a Donald Kaufman original. If you haven't seen Adaptation, this means it's a carbon copy of every thriller suspense movie out there. Basically it is Seven or Silence of the Lambs repackaged. The title sequence looks like they spent alot of time studying Kyle Kooper from ten years ago. I really have no idea why we rented this.
Garden State
It's good. That's about it. Melancholy can get tiring. It didn't achieve quite what I wanted it to. Moments, yes.
Hero
Beautiful. Stunning. A Sanctuary. I'll admit I feel asleep towards the end, but it wasn't because it wasn't good.
Donnie Darko: The Director's Cut
Okay, I haven't seen the director's cut. I did watch the original though recently and I still like it. Too bad the soundtrack doesn't include anything from the eighties. (Note to self: produce a playlist on iTunes featuring music from John Hughes films.)
A Life Aquatic
Not out yet, but I sure love the trailer. Come, join the Wes Anderson cult: Available in Hi-res and low.
Expect to see dorks everywhere soon. Reality shows, MTV videos and particulary in films, as geeky protagonists are the next gay. (You heard it here.) Why? Eccentric nerds are flipping sweet that's WHY. It's all about moonboots and magical unicorns, you understand. Think Urban Outfitters' t-shirt line without so much irony.
I say this after catching a screening of Napolean Dynamite earlier this week. It's a new typology in comedy that's emerging and you can thank Wes Anderson for the inspiration. I'm not saying Dodgeball isn't funny, I'm just saying it is part of a lineage of SNL Hollywood that in my opinion is a worn path. Napoleon is fresh. It's weird. The characters are real geeks. They get picked on, made fun of, and shoved around, yet there's a genuine charm. The halls of high school will be filled with kids reciting Napoleon's lines, trust me. And while the theme isn't anything new, the delivery is something to talk about. Viva la Nerd!
And it's happening right now, folks. Maybe you should roll off your sofa and go catch a few flicks. Your skin could use the sunlight. A few projects I'm involved with are making headway this year. Ghostrunner on First is screening Friday, June 17th at 5:30, along with several other shorts. (remember that one?)
Moved, created a few weeks ago as part of the 48 hour film project, is screening with the "Best of" on Saturday, June 18th at 2:30pm. (Peek behind the scenes.)
Both are great. The full lineup for the week is on the official site.
This weekend the 48 Hour Film Project returns to Atlanta. The challenge is simple: Make a short film in the time allotted to you. That's writing, shooting, AND editing, all in one weekend folks. You draw the genre from a hat, and are given a character, a prop and a line of dialogue, all which must find their way into the film.
UPDATE:
The screenings for Atlanta are being held at Madstone Theaters May 23-5.
The tunnels underneath Zoo Atlanta are much like the legendary ones that exist behind the scenes at Disney World. Visitors don't know they're there. We recently had the opportunity to venture into those very areas where only a few without uniform have gone. And we got to feed the elephants. See the clip (QT,1.5M). When I asked if we could ride them, the trainer stared very seriously back at me for several moments refusing to dignify such an asinine comment. She turned and continued the tour, "Over here is where they go each evening after the zoo closes..."
We're traveling to Austin this weekend for SXSW because we heard you had something important to say about:
a) your new book
b) accessibility and web standards
c) wireless stuff
d) blogging

[Candler Park]
Matt and Aaron are discussing some ideas for the lightroom film. I can't say much about it other than that Gang of Green may make an appearance. To me, there's nothing more exciting than watching bright ideas get brighter when there's a shared vision.
If this were an ad, you'd overhear this tagline as the mesh-music did a decrescendo, "Bright people get brighter... in the lightroom..."
(Fade to black.)

Did I mention we've been working on a new short film?
The clothesline of note cards you see above reflects the current state. In the nature of experimentation, we chose to take a very piecemeal approach to writing the script. Dozens of vignettes line the studio, each with a singular idea only loosely related to its neighbors through setting. As opposed to broad stroking narratives, we have opted for the bottom-up methodology. The downside of this process is obvious: the thread which binds a compelling story of desire and conflict hasn't surfaced yet.
It makes me think of a designer I knew that got engrossed with the specific pieces when he designed: showy button rollovers, text effects and embossing o' plenty. There was a lacking sense of overall coherence to the designs; no over arching ideas, just meaningless bits.
Confidence lingers in the room that the uniting thread will soon make itself known, but I'm becoming concerned. The journey we take when we design is at its very core discovery. At least that's what we keep reassuring each other.
Then someone across the room speaks up, "Hey, are we forgetting anything?"

So you're throwing a little Christmas shindig and need some holiday tunes to get your guests in the spirit. Why not go with a twist, both for your martini and your stereo? The Reindeer Room Volume II is a collection of seasonal favorites wrapped in the sounds of electronic lounge. No fireplace to get cozy by? Not to fret, the album is accompanied by its own yule log DVD. It's a perfect backdrop for any holiday activity. Now where to hang that mistletoe...
I was going to go with something like "Mastodon" or "Pachyderm" for the title, but enough already with the thesaurus/pun titling.
We saw the Gus Van Sant directed Elephant a few nights ago and we're honestly torn about how we feel about it. When I say we, I mean my wife Florrie and I. On one hand, my hand, the movie is finely crafted cinema. Long, continuous shots of characters in what I like to call first-person shooter compositions. The character is in the center of the frame, shot either from front or behind, with very short focal lengths as they walk down long corridors of high school land. Ambient sounds of kids slamming lockers, eating lunch, talking casually, while not in the field of vision, add to a seemingly three-dimensional environment. It made me think of some of Robert Altman's early work like Nashville which uses sound design to elicit the feeling of a place that occurs even off camera.
But Florrie brings up a good point: What insight does this film offer about incidents like Columbine that have plagued the education arena in recent years? There's nothing to be taken away. No explanations. No outlooks. No solutions. It's a retelling without commentary. I mean, why even watch it?
Film buffs will surely turn up their noses. Does a film really have to say anything? Elephant is a slice of a day. It leaves just as abruptly as it arrives upon these kids' lives. The film can be viewed as a carrier of an experience, one which allows its audience to live through one horrific event in time. You undoubtedly can relate to some of the caricatures. It feels like high school. But there are no stars, no heroes, no spectacular ending, and definitely no beefed-up Fox News story. In a way it leaves you empty. Is this good cinema? Yes. Does it help you understand anything? No. I'm curious as to what you think.
I'll be speaking at the upcoming Young Architects Forum on Wednesday, October 29th. You should go. I mean, if you live in Atlanta of course. I won't say much about the talk other than that it will involve seven (hopefully eight) dancers in exotic fish costumes. If that doesn't get you out of your cave I don't know what will. Enough said. Here's the details:
October 29th, 6:00pm
Offices of TVSA
1201 Peachtree St. NE Atlanta
Parking available at 15th Street entrance
Seating is limited.
or call (404) 222-0099 ext 1.
My brother Aaron has been working on a short film. I hope it's not too premature to show it to you. The sound levels are being tweaked and the score is being rewritten, but, well I think it's coming along great. See for yourself. Come on, you've got a couple of minutes. We would love your feedback.
Oh, and you'll need Quicktime 6.3
Prophetix is an Atlanta-based hip hop outfit that is currently working on a music video directed and produced by our friend Matt Hutchinson. Check out a few images I took during the blue screen session last evening below or view the entire collection.